簡(jiǎn)介：IN THE LAND OF BROTHERS is the intertwined story of Afghan refugees of Iran, in three decades. Starting in 1990, there is a ten-year gap between each episode. Masoumeh: An Afghan woman is searching for her missing husband who hasn't come home in two days, in the middle of a riot in Mashhad. Her daughter Hanieh is losing her hearing and wonders where her father is. Mohammad: A teenage Afghan boy is constantly being captured by the police and taken to the station for forced labor. His family works precariously in greenhouses, and he needs to find a solution on his own. Leila: A female janitor finds her husband dead before the new year's big celebration. As she and her son are illegally living in Iran, she needs to bury her husband without the house owners noticing, otherwise she might be deported. Qasem: The brother of Leila finds out his son had been killed in a proxy war in Syria. The government wants to grant citizenship to the Afghan families that've lost sons. The man struggles to reveal this to his wife Hanieh.

簡(jiǎn)介：Quebec, 1980s. 10-year-old Jo, inspired by her cartoon heroine, dreams of saving her unhappy father. Surrounded by her three sisters and a busy mother, she finds an ally in Monsieur Roger, their gruff neighbor who hides a tender heart.

簡(jiǎn)介：電影以一對(duì)青年自由戀愛、自主創(chuàng)業(yè)為主線，以親家雙方斗氣、斗富為烘托， 以繼承與發(fā)展、傳統(tǒng)與現(xiàn)代為架構(gòu)，真實(shí)反映了現(xiàn)代新農(nóng)村兩輩人新舊觀念的沖突與碰撞。真情謳歌了新一代青年人在新農(nóng)村建設(shè)中新思想和新作為。

簡(jiǎn)介：自信、神秘且迷人的琳達(dá)同意在布宜諾斯艾利斯的一戶富裕人家工作。她的魅力引發(fā)了家庭所有成員之間強(qiáng)烈的性吸引，揭示了他們外表幸福的脆弱假象。

簡(jiǎn)介：Charles Augustus Howell was John Ruskin's secretary, agent and model for Dante Gabriel Rossetti, and exhumer of Lizzie Siddal. But he is also said to have been a master blackmailer and a forger of works of art.

簡(jiǎn)介：大足石刻始于晚唐，盛于兩宋，迄于明、清，雕像有五萬(wàn)余尊，內(nèi)容以佛教雕刻為主，并有道教和儒家雕像。它分布于四十多處，但數(shù)寶頂山和北山兩處的規(guī)模最大，藝術(shù)價(jià)值最高。這里自一九八一年對(duì)外開放以來(lái)，中外游客已不下于二百多萬(wàn)人次了。                                                                    　　                                                                    　　在大足石刻北山數(shù)珠手觀音石像，她身高不過(guò)三尺，頭戴寶冠，腳踏蓮花，體態(tài)輕盈仿佛隨風(fēng)欲動(dòng)，眼角嘴角含顰欲笑而又略略帶羞。給世人留下深刻的印象，有關(guān)于這一尊石刻，有一個(gè)非常美麗的的故事，讓后世為之動(dòng)情。                                                                    　　據(jù)說(shuō)，宋代有位老石匠想在北山雕一尊數(shù)珠手觀音的女神像?？伤O(shè)計(jì)了許多小樣，都感到不滿意。一天傍晚，他收工回來(lái)，悶悶不樂(lè)地坐到小溪邊洗腳，忽然身后傳來(lái)一陣少女的笑聲：“瞧您的褲角都濕了?！彼仡^一看，原來(lái)是一位十三四歲的牧羊小姑娘。小姑娘見老石匠不無(wú)謝意地瞧著自己，不由得抿嘴含羞一笑。她那善良的心地和嫵媚的樣子，一下子激發(fā)了老石匠的靈感。老石匠忘卻了勞累，重返山上，披星戴月，鬼斧神工，照小姑娘的神態(tài)將這尊人情味極濃的女神石像一氣呵成。                                                                    　　按佛教經(jīng)文定名，這一石像應(yīng)叫數(shù)珠手觀音，但她一問(wèn)世，立時(shí)名振北山，后人傾羨她的美貌，便給她起了個(gè)綽號(hào)叫“媚態(tài)觀音”。聽說(shuō)不久前，有位舞蹈演員要學(xué)她的姿態(tài)，可不是過(guò)于“媚態(tài)”，就是過(guò)于矜持，總學(xué)不象?？梢姽糯檀髱熡眯难袼艿氖袷嵌嗝闯錾袢牖?！                                                                    　　90年代初蔣勤勤拍的第一部戲就是《媚態(tài)觀音》，那時(shí)，她還是藝校的學(xué)生，第一次演戲舉手投足就很有天分。